“…by playing a superhero in Daredevil, I have inoculated myself from ever playing another superhero… Wearing a costume was a source of humiliation for me and something I wouldn’t want to do again soon”-Ben Affleck preparing the words he’s going to eat
You ever have one of those moments where you perceive something but don’t really believe it? To the point where it seemed surreal? I had one of those last week when I perused IMDB to come upon the news that Ben Affleck is playing Batman in the sequel to Man of Steel (2013). Ben “Fucking” Affleck. My response was…confused. I didn’t know how to feel, but i know i had a feel. For most, this feel was pretty straightforward: fuck that guy. The internet exploded with a surge of hate that I will dub the “Affleck-tion”. The Afflecktion has taken many forms. For example: there’s a twitter hashtag titled “betterthanbenaffleck” that contains “suggestions” for better actors.
There’s even an honest-to-God petition by fans to somehow oust Affleck from the role. So why all the hate for the guy? He just won an Oscar, is married with kids, and has several great films under his belt recently (Argo, The Town, Gone Baby Gone). Isn’t that good enough to get some respect? Unfortunately, the Afflecktion runs deep in the body of American moviegoers, far before his casting as Batman.
I subscribe to three primary reasons why Ben Affleck has such a bad rap…
1. Perceived lack of contribution to Good Will Hunting
When Good Will Hunting debuted in 1998, Hollywood was enamored with the Cinderella tale of two Bostonians who wrote and starred in an Oscar-winning film. So much so that, of course, many inquired about the impetus for such a film. Here it goes (as described by the writers themselves in Boston Magazine): Matt Damon, a Harvard student, wrote a short story about a genius Southie who’s brilliance garners the attention of the government. Later, Damon took a screenwriting class, where for a final project he turned his story into the first act of a film, telling his professor “I might have failed your class, but it is the first act of something longer“. The professor, Anthony Kubiak claimed that it even in its early stages “it was very authentic and real“. Wow, Matt sure did a good job on that screenplay. Ben Affleck’s account? He helped write it. That’s it. No specifics. No details. He. Helped. Write it. Mind you, this is his OWN WORDS.
The only thing in his interview Ben mentions that speaks on his specific contribution is that, when he thought the producers weren’t paying enough attention, he’d sneak in blowjob scenes just to see if they would notice. No, really. So as you could imagine, many began to feel that Ben Affleck basically broke into Hollywood on the coattails of Matt Damon with minimal effort on his part. People thought he didn’t “deserve” his success. It didn’t help that many filmgoers viewed Affleck as an idiot due to his brashness and boisterousness. It made it easier to visualize a drunk frat boy Ben offering meager assistance whereas bookish Harvard alum Matt Damon actually writes the film, which is realized in this Family Guy clip.
The relationship between Sean and Will in the film was oddly paralleled with the image of Matt and Ben in real life: Matt was a genius who far outstripped his lesser best friend Ben. This dynamic defined the two for awhile: Matt Damon went on to be in other well received flicks such as Rounders, Saving Private Ryan, and The Talented Mr. Ripley. Ben Affleck? Well, here’s where we get to the next reason…
2. High-profile yet lowly-received films
Like Matt, Ben was in some pretty big name films after Good Will Hunting, particularly Armageddon and Shakespeare In Love (both in 1998). He wasn’t the star of either film, however, and most of his films as a leading man were mediocre in terms of audience turnout and reception. That wasn’t necessarily a bad thing, though, since it means most of the filmgoing audience didn’t have a record of bad movies to look to. Unfortunately, when Ben Affleck did start heading major flops, it was something everyone remembered. The first was Pearl Harbor (2001), which was an obvious Hollywood attempt to recreate the success of James Cameron’s Titanic (1997). It didn’t turn out that way: the film’s several inaccuracies, tedious love triangle, and association with the increasingly despised Michael Bay made it a commercial disappointment. And guess who’s name is on full display on every poster?
Afterwards, he was in Daredevil (2003), Marvel’s attempt at another blockbuster superhero film that combined the stylishness of Spider-Man (2002) with the “dark and edginess” of X-Men (2000). While the film did a decent job of characterization, audiences didn’t know what to make of the obscure character and therefore spent more time focusing on the actor, who had already begun to lose public credibility. The film’s lukewarm reception was heaped onto Affleck and comic fans never forgot about it. While these films garnered negative feedback, none of them put as big a nail in the coffin as Gigli (2003).
This film had bad press before it was even released due to conflicts between the screenwriter and the director, leading many to believe that the final product would be disjointed. Once it was released it set box office records for the biggest second-weekend drop in box office gross of any film in wide release since that statistic was kept; it dropped by almost 82% in its second weekend compared to its first. By its third weekend in release, only 73 U.S. theaters were showing it, down from 2,215 during its first weekend, a drop of 97%. The film has since gone onto be considered one of the worst films of all time. One of the primary reasons for the failure of the film is also my final reason for the Afflecktion…
Generally speaking, America loves “super couples”.
Unfortunately, one they didn’t care for much was Ben Affleck and Jennifer Lopez. Sure, at first they grabbed the public eye like any other celebrity couple, but that attention quickly turned to scorn. I postulate that it was due to the fact thatbecause they had the unfortunate distinction of being both absurdly famous and absurdly unrelatable. Ben was viewed as a jockish douchenozzle and J.Lo was viewed as an egotistical diva. A blog post on whatever-dude.com called them “Hollywood’s Hitler and Eva Braun“. Ben himself recognized the hate they received, outright saying in an interview with Suzy Byrne that he felt as if he was “the press’ whipping boy” during those two years. What’s worse is that much of the hate was due to Jennifer Lopez being considered “better” than him. She had a more successful film career, and a music career, AND a fashion line. Doesn’t help that SHE broke off the engagement. As one blogger put it, he came across as being “desperate and needy and lacking in self confidence, as if he were under some kind of love spell“. Arguably, the ultimate Hollywood insult directed at him during this period was during VH1’s “200 Greatest Pop Culture Icons” television special. Oh sure, he was included as #119, but look closely at his portrait by Robert Risko…
Yes, they literally have J.Lo on his jacket for NO discernable reason other than to remind the viewer that a large amount of his fame is due to being engaged to someone more famous (she was on the same list as #15, btw) . Even worse, every celeb in the special had an indicative tagline that was a famous quote or phrase (i.e. Arnold Schwarzenegger-“I’ll be back“, Hugh Hefner-“Big Pimpin‘”) . Guess what his was? Mr. Jennifer Lopez. Damn.
So should Ben Affleck play Batman?
Given all the vitriol i’ve just shown, obviously not, right? Honestly, I know i’m blasphemous for saying this but I really DON’T CARE who plays Batman. Batman isn’t this deep, nuanced character, he’s a franchise. The reason why DC has gotten so much use out of the property was because they can do whatever the fuck they want with the character without violating his identity. He hasn’t “grown” in the near century since his inception, just reinvented. Why do you think that the 60’s Batman series, the Burton films, the Schumacher films, the Nolan Trilogy, and the Animated series are all so different yet successful? It’s because the character is malleable. He’s a concept that can fit any story imaginable. Compare Batman to Spider-Man, who, while having different series, is always the same character that Stan Lee envisioned him to be. You’ll never see a “dark and gritty” Spider-Man or a “realist” Spider-Man. That’s because Peter Parker is intended a REAL person who has a specific personality. If he were to be in a world similar to the 60’s Batman series, he’d have to lose most of his flippancy just to sell us on the campiness. If he were in a comic similar to The Dark Knight Returns (1986), he’d have to lose much of the whimsy associated with the character. He has his limits as a property, you can’t just make him, say, a pirate.
Fact is, Batman is such a loosely conceived character that anyone with a decent chin could put on his costume. This isn’t to say he’s a flat character, he’s just a ‘high concept’ character, like Superman, who focuses more on connotations and iconography than character traits. By virtue of this, any actor can bring something to the character: Michael Keaton brought an eccentricity to Wayne that made him more affable, Val Kilmer brought a coldness that made Batman seem more like a shell-shocked soldier. I’m not the best person to comment on Ben Affleck as an actor (i’ve only seen a few of his films), but I think he could have a very interesting take on the character. Maybe he’ll have a lighter approach than Bale; maybe he’ll be a bit more vulnerable. It’s hard to tell. A lot of people said Michael Keaton was a bad fit for Batman, but afterwards many said he put in a decent performance. Same was said for Heath Ledger as Joker, and look at how THAT turned out. Personally, I think that no matter how he plays it, Affleck will add to the wonderful tapestry of Batmen to date. Or at least fuel some great memes.
For more commentary on the Batman franchise: