Everyone’s had a bully at some point of their lives. If not, then you probably are / were a bully ( if so: not in the face, please ). Either way, we can all relate to bullying, which is why bullies are so familiar in fiction. The stereotypical bully is bigger than the protagonist, an athlete and most of all, monstrously violent. And yea, many times a bully really is just a brute with a gland disorder, but they are people as well. People who can fuck you up. So i decided to compile a list of some bullies who are particularly noteworthy.
5. Terry Filkins – Drillbit Taylor ( 2008 )
” This school is boring. Watching you freak out amuses me. “
Fun Fact: This film was written by Seth Rogen and John Hughes under his pen name “Edmond Dantes” . Yes: “Breakfast Club – Sixteen Candles – Home Alone” John Hughes. This was also the last film he was involved with before his death. The premise: three nerds hire a bodyguard to protect them from two bullies. As a final film it’s…ok. Owen Wilson has his moments but the nerds are fairly trite and nothing else stands out either…except for the main bully, Filkins. Whereas the nerds in the film are a little too generic to be interesting, Filkins’ takes the equally generic bully stereotype to new heights. He begins as a standard bully, stuffing nerds into lockers and whatnot, but then quickly shifts into outright insanity. It turns out that he’s an extremely wealthy emancipated minor, which in the film’s logic means he can get away with destroying a student’s laptop, driving a car through people’s yards, attempting to run over people in broad daylight, and cutting off a man’s arm with a katana ( offscreen, unfortunately ).
Normally I hate the casually violent bully cliche because it’s hard to imagine in a modern school where adults are more reactionary. But the combination of Seth Rogen’s brashness and John Hughes’ 80’s nostalgia makes it more of an homage to the cliche itself. Rather than pretending as if he’s a normal bully, the film portrays Filkins as a violent psychopath who couldn’t and shouldn’t possibly exist in a modern school. His comeuppance at the end of the film is due to him chucking a sword at the nerds in the middle of a party. This guy is so committed to being a bully that he’ll literally murder someone in front of several witnesses. I don’t care how you feel about bullying, that’s admirable.
4. Alan White – Freaks and Geeks ( 1999 – 2000 )
” You like Bill Murray? Oh yeah? Bill Murray sucks! “
The stereotype of the bully is so ingrained that few writers actually question it’s validity. Bullies are the jocks. They’re the big men on campus. Everybody likes them, right? More often than not, no. Kids who often become bullies are often just as marginalized as the people they pick on. One of the few bullies to embody this is Alan White from Freaks and Geeks. Paul Feig and Judd Apatow’s short lived dramedy series is well known for subverting many high school tropes. The designated geeks’ oppressor Alan is even more odd than they are. Skinny and awkward, the “threat” of Alan is more due to his aggressiveness than his physicality. The pilot of the series builds up to a fight between the geeks and Alan, which amounts to this:
After such a pathetic show, Alan’s bullying became more verbal, throwing out brilliant jabs such as changing the name Sam Weir to Sam Queer. Ah high school. The character gained some depth in the episode Chokin’ and Tokin’. Thinking his allergies aren’t life-threatening, Alan tricks one of the geeks into eating peanuts, leading to him become hospitalized. Whoops. Concerned, Alan visits him in the hospital and has a candid moment while the geek is unconscious ( you can watch the actual clip here )
” I’m sorry. I was just goofing on you. It’s not like you guys were ever nice to me. In the 4th grade i used to think you guys were really cool. I remember when you guys brought a model of the Saturn 5 in for show and tell and I asked if I can shoot off rockets with you and you said no. So i’m supposed to be nice to you? I like comics and sci fi too but you never ask me to hang out. “
We see a great commentary on one of the often overlooked causes of bullying: the cycle of victimhood. Alan, clearly lacking social skills already, perceives the geeks’ probably unintentional dismissals in the past as rejection. Afraid of being vulnerable, he strikes back against them in order to justify his alienation. This blurs the nerd / bully distinction, since it forces us to view the protagonists as part of a culture of abuse. Earlier in the episode, two of the three geeks abandons plans to attend a convention. When one of the other characters in the series, a fellow geek with weight and odor issues, offers himself to go, the geek seems less than excited. Later on, he claims he can no longer go due to an issue at home, but it’s suspect whether or not he’s just blowing him off. Alan’s view of the geeks now has a bit of credence to it; it’s possible that their desire to be insular marginalized him. This scenario highlights the often murky milieu of high school power dynamics.
3. The Tannens – Back To The Future Series ( 1985 – 1990 )
” Make like a tree and get out of here! “
Bullies come in all shapes and sizes. Nowhere is that more true than in the Back To The Future trilogy.
Back to The Future ( 1985 )
To start, lets look at Biff Tannen: the definitive bully. He hits every single trope: he’s bigger than the protagonist, he’s a jock, he’s popular ( for no apparent reason ), he’s dumb, he extorts favors, he’s a rapist ( ! ), he’s a racist, and most of all, he’s a murderer ( at least in one timeline ) ! Tom Wilson puts in an underrated performance as Biff; he manages to be as funny as he is threatening, vacillating between being just obnoxious and being a physical threat.
Back to the Future 2 ( 1989 )
He also portrays the settled nature of an older, more sinister Biff well in the second film. Rather than being a negligible schoolyard bully, he becomes a deeply corrupt sadist. This version of Biff is a Mr. Potter-esque figure who’s so evil that it permeates all of Hill Valley, turning it into a dystopia.
Wilson’s performance as his great- grandson, inventively named “Griff”, is wonderfully uncanny. The implication is that he’s a cyborg, which comes through in his staccato movements and manic pitch. He’s a futuristic fantasy version of the schoolyard bully: Biff was a slow, Archie-style meathead while Griff is a robotic speedfreak.
Back to The Future 3 ( 1990 )
The Tannen line stretches back to the Wild West, where Biff’s ancestor was a cowboy ( the closest thing to a bully in that backdrop ). Fittingly, Wilson based his performance on Lee Marvin in The Man Who Shot Liberty Valance? ( 1962 ). Lee Marvin’s titular Liberty Valance begins the film by robbing an honest lawyer ( Jimmy Stewart ) and then beating him savagely just for talking back. Likewise, Buford Tannen has a massive sense of entitlement that makes him think something as minor as a $80 dispute is worth murder. Overall, this family shows that evil is sometimes in the blood.
2. Butch Deloria – Fallout 3 ( 2008 )
” I could be out there and kicking butt in my own gang and everything. The Tunnel Snakes could ride again! Or, y’know, slither again. Whatever! “
Most media that depicts 1950’s American youth incorporates the gang subculture of ” Greasers “, a primarily Italian and Hispanic social group associated with hot rods, leather jackets, and their titular greased hair.
Given Fallout 3 1950’s influences, it was natural for them to draw upon this culture for the Lone Wanderer’s lifelong tormentor. We see this primarily through his design, but also through a deconstruction of the archetype. For example: his obsession with hair makes him want to be a barber, which a career assessment test refers to only as a ” hairdresser ” to his chagrin. Butch is generally characterized as a chump: when his room is infested with giant roaches, Butch enlists the Wanderer to save his mother because he’s terrified of them. You can also beat the shit out of him and his entire gang as a teenager. It’s funny to think that in a post-apocalyptic world where violence becomes a norm, the resident gang-banger is a a bit of a pussy.
In spite of ( and partially due to ) these aspects, i feel as if Butch is a pretty interesting character. As with Alan White, the character is marginalized from the insular vault community. His mother is a promiscuous alcoholic, which led him to be born not knowing his father. This is probably the cause of his asshole behavior. Once the character makes it to the wasteland, he becomes interested in expanding his vault gang, the Tunnel Snakes. Which consists of just him and the wanderer at that point. At least the jackets are pretty cool.
So why is this guy such a big deal? Well honestly, he isn’t in the canon of the game; he’s statistically the worst partner you can have. His starting weapons are a switchblade ( being a gang-banger and all ) and a 10 mm handgun. Mind you, this is a game where powered armor exists. The only unique thing he offers the player is, I shit you not, free haircuts.
Despite his gameplay shortcomings, i always felt the character had great potential as a foil to the Lone Wanderer. Like the Wanderer, he’s a teenager from the vault without battle experience. He also has a missing dad as well. Whereas the wanderer wants to leave to find his Dad, Butch just wants freedom. If Fallout 3 was more character-driven, he’d probably be the most interesting guy in the game. One of the primary themes of the Fallout series is letting go of the past and looking to the future. That fits in perfectly with Butch and the archetype he draws from: in West Side Story ( 1961 ), the greaser hoods have all been marginalized into their paths by their race and economic backgrounds. Even Fonzie from Happy Days, a heroic greaser, was shown to have redeemed himself from a tragic urban back-story with a missing father and gang connections. Imagine a story that powerful, but with laser guns! And i’m not the only one who thinks the guy has potential; some players have even modded Fallout: New Vegas ( 2010 ) to include the overlooked Butch Deloria. Hopefully, the actual game creators could take note and include the guy in the future of the franchise.
1. Eugene ” Flash ” Thompson – Spider-Man ( 1962 – Present )
” Puny Parker! “
In a heroic tale, antagonists elevate a protagonist into heroism. For superheroes, this is mostly accomplished by supervillains. Given that the Spider-Man franchise draws much of it’s appeal from how the fantastic affects the mundane, Peter Parker also got a high school bully. As you can tell from the panel, the initial conflict in their first appearance ( Amazing Fantasy #15 1962 ) was pretty standard: Thompson was a popular and attractive jock and Peter was an unpopular and unattractive bookworm. While now a cliche, it’s important to remember that there weren’t as many bully / nerd stories then, which makes the conflict more specific. Despite being a smart dude, Peter does lack several heroic qualities. In the mundane high school world, the primary qualities he’s lacking are humor, confidence, and sexual charisma.
The Amazing Spider-Man #2 ( 1963 )
This is something most modern media don’t get about these archetypes: while audiences are often either “nerds” themselves or sympathize with nerds, that doesn’t mean nerdy characters are inherently admirable. This is a problem in media such as The Hard Times of RJ Berger, The Big Bang Theory, and the aforementioned Drillbit Taylor that create one-note nerds who never grow into compelling heroes. In contrast, once Peter Parker’s dangerous and thrilling lifestyle as Spider-Man allows him revisit his conflict with Flash from a competitive position. Peter is able to return Flash’s insults, fluster him with his bravado, and get his girl to make eyes at him.
The Amazing Spider-Man #13 ( 1964 )
The conflict between the two isn’t always the same in every iteration; several versions portray their relationship more violently. While Flash does threaten Peter, their relationship almost never incorporated violence in the original series. Both Spider-Man film series turn Flash into a psychopath who would beat Peter’s face in for sneezing on him. This of course sets up the inevitable fight where Peter beats his ass and we all cheer. Stan Lee, rather than going for immediate gratification, builds a relationship between the two that remains playfully combative through clever wordplay and one-upmanship. While not witty, Flash’s combination of machismo, deluded confidence, and goofy Steve Ditko-drawn mugging makes him pretty funny.
The Amazing Spider-Man #25 ( 1965 )
Granted, they have a formal boxing match at one point that turns out exactly as you think it would.
The Amazing Spider-Man #8
Slowly, Flash begins to realize that Peter is more admirable than he originally thought.
The Amazing Spider-Man #39 ( 1966 )
Flash himself became more admirable as well; his obsession with Spidey makes him want to be a hero himself. He later joins the military, loses his legs, becomes an alcoholic, and gains the Venom symbiote. Comics are weird. In a totally not gay way, Flash is sort of like Lois Lane, given his Peter-hate-that-turns-into-respect and admiration of Spidey. A combative yet not-overly-malicious teenager relationship is a hard thing for modern writers to do, which makes all the more impressive how well Stan Lee handles it. Flash challenged Peter, but as a shortsighted rival and not as a sadistic thug. Likewise, rather than backing down or becoming violent, Peter finds the inner strengths he’s always had to measure up. Their mutual growth embodies the constant progression of The Amazing Spider-Man series throughout the decades.
So what have we learned from these characters? Bullying is wrong…except when part of a well crafted story.
To read some more of my pop-culture lists: